Jazz for £20 and Under

Mercurial bassist and bandleader Charles Mingus was signed to Columbia records for the briefest of time during 1959.

There is more variety than expected on the fine set with some cookers, ballads, waltzes, and even some hints at classical music.

Reissue of herbie hancock's essential 1962 debut album on blue note. the lp features quality sound taken from the original master tapes, 180g vinyl, heavy cardboard sleeve and original artwork.

On this sizzling live date, guitar great Wes Montgomery is joined by the Wynton Kelly Trio (Wynton Kelly/piano, Paul Chambers/bass and Jimmy Cobb/drums) and the under-rated Johnny Griffin on sax who absolutely tears up this set. 

When jazz bass virtuoso Paul Chambers recorded his third and final album as a Blue Note lead, Bass On Top, he was already well established.

Featuring a stellar band including Stanley Turrentine on tenor sax and Ray Barretto's work on congas which adds at times a Latin touch to this jazz blues masterpiece.

Sun Ra was a true innovator, releasing music that was a bit different to his peers from his earliest output. But what would Sun Ra have made of today’s music scene? If he is looking down from his cosmic realm, he’ll be pleased to know that his music from the past still sounds eerily futuristic.

Like his one-time boss, Miles Davis, Saxophonist Wayne Shorter can divide his long and established career into phases.

Although "Miles Ahead" marked Miles Davis’ first recording with the Gil Evans Orchestra, it was not their first collaboration.

In addition to being members of Miles Davis' band, John Coltrane, Red Garland and Paul Chambers recorded several projects together without the trumpeter, Soultranebeing one of them

This is the sound of Antonio Carlos Jobim.

Chet Baker in New York has Chet Baker playing with great East Coast musicians: Philly Joe Jones on drums, Al Haig on piano, the great Paul Chambers on bass, and tenor saxophonist Johnny Grifn added on three tracks.

"Afro-cuban : that term which set the world on fire, from rumba to boléro, mambo to cha-cha-cha, before salsa, that 70's spicy sauce, took over from the others. 

Brilliant Corners is Thelonius Monk's third disc for Riverside, and it's the first on the label to weigh in with such heavy original material.

Though he may have lacked the improvisational fire of John Coltrane or the restless curiosity of Miles Davis, Sonny Rollins played with a rich, round tone that complemented his melodic inclinations, making him the most accessible of the postbop musicians.

When revolutionaries make their first impact, it is often their last as any early passion for change in culture and society damps down with age and maturity. The late Max Roach however remained eager to experiment and tackle new challenges throughout his remarkable career as a hugely influential jazz drummer, composer and educator.

Together With Art Blakey On Drums The Line-Up Includes Lee Morgan On Trumpet, Benny Golson On Tenor Saxophone, Bobby Timmons On Piano And Jymie Merritt On Bass .

Remastered original 1950s album. Original liner notes by Sun Ra. Super-Sonic Jazz, by Sun Ra, was recorded in 1956 at RCA Studios, Chicago.

Jazz in Silhouette is the quintessential record of Sun Ra's late 1950s Chicago period.

Jazz By Sun Ra was the debut album length recording by Sun Ra. The LP originally appeared on the short-lived and pioneering label Transition Records, which was headed by the young Tom Wilson, and released a number of unique jazz albums in this period by the likes of Cecil Taylor and Donald Byrd.

This 1952 collection is one of bebop’s key artefacts and also represents two jazz milestones: the only and only time that pianist Thelonious Monk recorded with the dynamic duo, and the last time Gillespie and Parker appeared together in the studio.

Often overlooked, perhaps because he wasn't a great innovator in jazz but merely a stellar performer, tenor saxophonist Hank Mobley was at the peak of his powers on Soul Station. 

Jazz classic. By the time Know What I Mean? was recorded (January-March 1961), both Julian Cannonball Adderley and Bill Evans had left the highly successful Miles Davis Sextet.

Recorded when Johnny Walker was touring worldwide with veteran jazz star Lionel Hampton in 1982 and originally released on his own private press label: Walk On Productions.

Originally released as an obscure private-press LP by the Florida trio of Ben Champion, Ken Burkhart and Danny Burger.

Fabled as the city where dreams come to thrive or die, Johannesburg is forever pumping out the life-giving force of criss-crossing sonic tributaries.